![]() ![]() “Opera at the Court of Frederick the Great: Montezuma as Royal Autobiography,” colloquium talk at Princeton University (October 2009), University of Pittsburgh (5 February 2010), and University of Iowa (May 2010) TEXT “Montezuma at Eszterház: A Pasticcio on a New-World Theme,” conference “Joseph Haydn & Die Neue Welt: Musik- und kulturgeschichtliche Perspektiven,” Eisenstadt, Austria, 13–15 September 2011 TEXT without tables “Expressions of Enlightenment Values in Austrian Instrumental Music of the 1780s,” conference “New Perspectives on the Austrian Enlightenment,” Wirth Institute for Austrian and Central European Studies, University of Alberta, Edmonton, Canada, 23–24 September 2011 PDF TEXT without musical examples Petersburg: A Little Known Source of Information about Opera in Paris during the 1780s and Early 1790s,” International Musicological Society, Rome, 5 July 2012 colloquium at the University of Michigan, March 2013 AMS national meeting, Pittsburgh, November 2013 colloquium at the University of Vienna, November 2013 “The Hivart-Sheremetev Correspondence in St. “Operatic Pyrotechnics in the Eighteenth Century,” conference “Revaluing Theatrical Heritage: Challenges and Opportunities,” Kortrijk, Belgium, 22–23 January 2013 TEXT “Music on the Grand Tour,” Hollander Distinguished Lecture in Musicology, Michigan State University, 15 March 2013 TEXT "The Operatic Culture at the Court of Emperor Leopold II and Its Connection to Mozart's La clemenza di Tito, " conference " La clemenza di Tito and Mozartian Aesthetics," Stockholm, 24–27 August 2013 "Two Centers of Musical Ferment in the Eighteenth Century: Bohemia and Minas Gerais," keynote address, conference "The Baroque Legacy: Past and Present in Hispanic America and Central and Eastern Europe," Grand Valley State University, Allendale, Michigan, 24–26 October 2013 TEXT Jean-Baptiste Lully, Roland, overture, mm. ![]() "Adding to the Galant Schematicon: The Lully," International Mozart Conference, Salzburg, October, 2014 "Women in Love: Gluck's Orpheus as a Source of Romantic Consolation in Vienna, Paris, and Stockholm," conference "Gluck and the Map of Eighteenth-Century Music," Western Illinois University, Macomb, Illinois, 17–19 October 2014 "The Morte: A Galant Schema as Emblem of Lament and Compositional Building Block," colloquium at the University of Minnesota School of Music, 14 February 2015, at the Department of Music Theory, Indiana University School of Music, 25 March 2015, and Stanford University Department of Music, subsequently published in Eighteenth-Century Music 12 (2015) abstract and handout "Andrea Bernasconi's Miserere in D Minor: A Sacred Masterpiece from Mozart's Munich" (co-author, Christoph Riedo), conference of the Mozart Society of America, Tufts University, 13 September 2015 abstract and handout "Weigl's Venere e Adone and the End of Opera at Eszterháza," conference "Beethoven and the Last Generation of Court Musicians in Germany," Beethoven-Haus, Bonn, 3–6 December 2015 abstract "Galant Voice-Leading Schemata in Opera Buffa: The Case of Paisiello's Il barbiere di Siviglia," lecture at the University of Missouri Kansas City, 24 February 2016 University of Maryland College Park, 25 March 2016 and Carleton College, 6 April 2016 abstract and handout "Mozart's Use of Voice-Leading Schemata (with an Analysis of the Quartet from Idomeneo, 'Andrò ramingo e solo')," paper given at the conference "Aktuelle Fragen der Mozart-Forschung," Prague, 16–17 April 2016 abstract and handout "'Amore mio bellissimo: Cimarosa's 'quartetto di nuova invenzione' for the Conti del Nord," paper given at the conference "Commedia e musica al tramonto dell' ancien régime: Cimarosa, Paisiello e i maestri europei," Aversa, 24–26 November 2016 "Salieri in Print," paper given at the conference "Musiktheatralische Textualität: Opernbezogene Musikdrucke im deutschen Sprachraum des 18. "Climbing Monte Romanesca: Eighteenth-Century Composers in Search of the Sublime," Northwestern University, 1 December 2016 Theory Group, Princeton University Department of Music, 3 April 2017 abstract expanded text "The Schematic World of Mozart's Figaro," EuroMAC 9, Strasbourg, 28 June–1 July 2017 prepublication draft ![]()
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |